memorial Garden-Museum named after Kamoliddin Behzod established on the basis of the Cabinet of Ministers of the Republic of Uzbekistan Resolution No. 559 of December 23, 1997 “on the celebration of the 545th anniversary of the birth of the great muse Kamoliddin Behzod”.

main functions of the museum

The main task of the museum is to The eastern miniature school, Kamoliddin Behzod and his followers, consists in the full study and promotion of creative works, familiarization with books, calligraphy, miniature art and technologies for their creation, organizing Republican and international scientific conferences dedicated to certain scientific problems of miniature schools, fine and Applied Art, forming in the youth consciousness national and universal human values, respect and pride for our invaluable historical and cultural heritage, loyalty and love for the motherland.e eastern miniature school, Kamoliddin Behzod and his followers, consists in the full study and promotion of creative works, familiarization with books, calligraphy, miniature art and technologies for their creation, organizing Republican and international scientific conferences dedicated to certain scientific problems of miniature schools, fine and Applied Art, forming in the youth consciousness national and universal human values, respect and pride for our invaluable historical and cultural heritage, loyalty and love for the motherland.

Funds and collections

The Museum's Foundation houses miniature copies of Kamoliddin Behzod's owl, along with examples of modern Uzbek miniature made in the style of famous schools such as Bukhara, Samarkand, Herat, Tabriz and Isfahan, as well as ancient and unique manuscript works from various fields of science.

The Museum's Foundation houses miniature copies of Kamoliddin Behzod's owl, along with examples of modern Uzbek miniature made in the style of famous schools such as Bukhara, Samarkand, Herat, Tabriz and Isfahan, as well as ancient and unique manuscript works from various fields of science. Manuscript and stonework, copied by master calligraphers of his time in writing letters such as kufi, suls, Naskh, Nasta'liq and decorated by skillful artists with miniatures, Shams, ornaments and beautiful patterns, have kata significance in the study of the history of Oriental Art. Among the manuscripts and stoneware there are unique samples, which serve as an important resource in the study of the history of the book of the XII, XV-XX centuries, as well as in the development of science.

rare manuscripts

Imam Ghazzali's “Chemiisaodat”, “Ihyoulum ad-din”, Husayn Ecclesiastes ' “Ethics Muhsiniy”, Burhoniddin Marghinani's “Hidoya”, “Siyari sharif”, a rare 17th-century manuscript of Khoja Ubaydullah Ahror's master avlono's “Tafsir”attributed to Jacob Charkhi's pen, the 12th centurygaoid Abubakribn Muhammad Abdus-Saylani's “najotuz-Zokirin” rare manuscript, “ravzatus-Safo” by Mavlono Khawandshah Kherawi, Alisher Navoi, Hofiz Sherozi, Mirzo Bedil, Shaykh Saadi, Muhammad Fuzuli, jalaliddin Rumi devons, Among them is the manuscript of Shamsiddin Tabrizi's "Kulliyoti Shams Tabriz". Also included in the museum's endowment are the 12th-century manuscript “Fawoyid al-Ziyoiya” (on Arabic grammar), the 14th-century “Historia Qaboilal-arab” (history of arab tribes).mong them is the manuscript of Shamsiddin Tabrizi's "Kulliyoti Shams Tabriz". Also included in the museum's endowment are the 12th-century manuscript “Fawoyid al-Ziyoiya” (on Arabic gr)